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Trine Søndergaard: 203 Works [signed]
Trine Søndergaard: 203 Works [signed]
Trine Søndergaard: 203 Works [signed] - 2
Trine Søndergaard: 203 Works [signed] - 3

Trine Søndergaard: 203 Works [signed]

€57

Keyword: 2005-2020, portrait, still life, landscape, identity, gaze, Danish photographer

Size: 250 x 315 mm Pages: 272 Format: hardcover Language: English Edition: 700 cps Illustration: 203 Editor: Johan Sjöström Foreword: Johan Sjöström Text: Kristine Kern, Merete Pryds Helle Translation: Ruth Urbom Book design: Rasmus Koch Studio Printing: Narayana Press Publisher: Göteborgs konstmuseum & Fabrik Books Pub Year: 2020 Weight: 1919 ISBN: 9788799720771

Exhibition: Göteborgs konstmuseum; Dunkers kulturhus 2020-21

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    Description

    Article no.: 9788799720771

    Printed on four different papers: this retrospective look at the work of Danish photographer Trine Søndergaard is splendid. Always exploring the photographic medium itself , Søndergaard has her own visual language seen in her aethetically stunning work. Compiling more than ten projects and spanning fifteen years of artistic work the book Trine Søndergaard: 203 Works presents the most comprehensive collection of images ever assembled in book form by the internationally acclaimed Danish artist. Published by The Gothenburg Museum of Art and Fabrikbooks in 2020, the book ”203 Works” brings together 203 meticulously selected works displaying an extensive view into the many facetted aspects of Søndergaard’s oeuvre: The early landscape pictures in the How to Hunt series (2005-10); evocative interiors of empty Danish manor houses in the Interior series (2010); contemplative portraits of young girls wearing historical headwear in the Strude (2007-10), Guldnakke (2012-13) and Hovedtøj (2019) series; and brand new images, published for the first time, along with several other significant works. Altogether, photographs that span Søndergaard’s career as one of the most influential contemporary Scandinavian photographers. “Trine Søndergaard’s work … contains equal parts of the everyday and the solemn, and since her debut, the artist’s production has been characterized by undercurrents of melancholy, loss, and the idea of the image as a mental state beyond language. … She utilises a circular visual poetics, in which motifs and phrases from earlier works reverberate, creating meaningful connections.  … Taken as a whole, the artist’s prismatically fragmented works provide an imagery for human states of consciousness and memory on a both personal and societal level.” – Curator Johan Sjöström. Curator Johan Sjöström, Danish author Merete Pryds Helle and art historian Kristine Kern contributes to the publication with new texts dealing comprehensively and poetically with Søndergaard’s art.

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