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Mikael Olsson: Olsson Mikael [signed]
Mikael Olsson: Olsson Mikael [signed]
Mikael Olsson: Olsson Mikael [signed] - 2
Mikael Olsson: Olsson Mikael [signed] - 3

Mikael Olsson: Olsson Mikael [signed]

€43

Keyword: 2007-2021, selfies, self-portraits, Swedish photographer

Size: 150 x 210 mm Pages: 64 Format: hardcover Edition: 1000 copies Language: English Illustration: ca 60 Text: Sinziana Ravini Book design: Malin Augustsson, Mikael Olsson Printing: Göteborgstryckeriet Publisher: Art & Theory Pub Year: 2022 Weight: 264 gr ISBN 13: 9789198672022
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    Description

    Article no.: 9789198672022

    Sweden's own funny man – Mikael Olsson! Or was it Olsson Mikael?

    Jokes aside, this is a fanstastic little production with self-portraits by photographer Mikael Olsson

    From the publisher:
    ”If portraiture can be categorised as a social encounter, the self-portrait is a perceptual encounter with one’s own body, and all the physical constraints that such an act entails. The physiological impossibility of seeing oneself has fascinated artists for centuries and inspired great works that play with these limitations. The self-portraits of Mikael Olsson – which are actually demi-self-portraits, as they only capture the top of his head and his bespectacled eyes – are a brilliant entry into the mirror halls of art history.” - Sinziana Ravini

    To gain the trust needed to fulfill his artistic vision, Mikael Olsson uses methods from the tradition of classical documentary photography – such as getting access to spaces and objects through other assignments. As stated by Olsson: “I’m an artist, I use myself to get into new situations”.

    Olsson’s self-portraits/selfies (since 2007) challenge the narcissistic use of selfies as well as the status of influencers. Further he destabilizes the composition of a traditional selfie where the eye line is recommended to be one-third down from the top frame. Through tireless play and intuition, Olsson’s images are marked by both intimacy and distance, the role of his own physical presence and the perceptive relationship to the surroundings.

    "Olsson Mikael" includes an essay by writer and psychoanalyst Sinziana Ravini.

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