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Hendrik Zeitler: 1:1 Hammarkullen [signed]
Hendrik Zeitler: 1:1 Hammarkullen [signed]
Hendrik Zeitler: 1:1 Hammarkullen [signed] - 2
Hendrik Zeitler: 1:1 Hammarkullen [signed] - 3

Hendrik Zeitler: 1:1 Hammarkullen [signed]

€45

Keyword: 2016-2021, photogram, nature, Hammarkullen, Swedish photographer

Size: 315 x 320 mm Pages: 80 Format: hardcover Language: Swedish, English Illustration: 38 colour Edition: 1 unique signed & numbered cut-out taken from an original photogram print Editor: Gösta Flemming Text: Linda Bergman Translation: Maria Morris Book design: Gösta Flemming Printing: Narayana Press Publisher: Journal Pub Year: 2022 Weight: 739 gr ISBN: 9789187939662
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    Description

    Article no.: 9789187939662

    AWARDED SVENSK BOKKONST 2022 - Best book design



    Hammarkullen is a miljonprogram residential area outside Göteborg built in 1970s where Zeitler lives. Here is no sign of the concrete buildings but instead nature that surrounds them.
    The book comes with a stunning signed and numbered photogram print



    From Linda Bergman's text:
    “A photogram is a photo that has been created without a camera, where the subject has been placed on or in front of a light sensitive paper and then exposed in some way. Photograms have existed since the beginning of photography with varying status, but always a little in the periphery compared with other techniques.

    Previous photograms that I have seen were mostly made in a studio environment, while Zeitler here works in the field, in Hammarkullen. He makes it possible to depict the subject on site in the landscape, using living plants. And he is doing this in colour with extremely light-sensitive materials. The pictures in this book are repro-photographs of the originals. My thoughts go to Man Ray and László Moholy-Nagy, who photographed their cameraless images to obtain negatives which could then be enlarged. Hendrik Zeitler has done the opposite; photographed his large originals and reduced the size for the book. When Zeitler shows these images in exhibitions, he is careful to show only the originals. For the special book edition he has enclosed parts, unique cut-outs, taken from original prints that were not used. For Zeitler, there is a dichotomy between books and exhibitions. He believes that it is a compromise not to see the original or feel the artist’s hand in the book. In this way, however, you get both a number of reproductions in book form as well as a signed original picture.”

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